Título:
Harry Potter and the cursed child : parts one and two
PERSONAL_AUTHOR_EPSB:
Resumen:
As an overworked employee of the Minestry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus finds the weight of the family legacy difficult to bear.
Fecha de publicación como intervalo:
2016
Descripción física:
327 pages ; 24 cm
Nota general:
"The official script book of the original West End production... special rehearsal edition."--Title page.
Materia personal:
Género:
ISBN:
9781338099133
9781338216660
9781338216677
Información de publicación:
New York : Arthur A. Levine Books, an imprint of Scholastic, Inc., 2016.
©2016
Biblioteca | Signatura topográfica | Tipo de material | Código de barras del documento | Estado |
---|---|---|---|---|
Johnny Bright Johnny Bright | F ROW | Book | 31455000196765 | Fiction Desconocido |
Johnny Bright Johnny Bright | F ROW | Book | 31455000196757 | Fiction Desconocido |
Johnny Bright Johnny Bright | F ROW | Book | 31455000196740 | Fiction Desconocido |
Resumen
Síntesis:
As an overworked employee of the Minestry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus finds the weight of the family legacy difficult to bear.
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Awards and Honors
Premios
Buckeye Children's & Teen Book Award (Nominee — Grades 3-5 — 2017)
British Book Awards (Shortlist — 2017)
Tony Award (Winner — Play — 2018)
Geffen Award (2017)
Kids' Book Choice Awards (Finalist — 2017)
+ 3 more Premios
Notable Lists
Los Angeles Public Library Best of the Year (Children's Books — 2016)
Etiquetas
playscript | J.K. Rowling | juvenile | screenplay | ||||||||||||||||||||||||||
middle grade | friendship | ||||||||||||||||||||||||||||
adventure | disappointing | England | witches | ||||||||||||||||||||||||||
Junior Fiction | 21st century | wizards | |||||||||||||||||||||||||||
family | fantasy | juvenile non-fiction |
Reseñas de lectores
So much love! OK, first of all, it’s in script format. No doubt that disappointed some--it's not a new novel. But for me it was a plus. For one, none of the stylistic tics that have bugged me in Rowling were present: No jarring book-saids or adjective abuse. It’s not bloated in plot; there aren’t any plot holes that I can see. One of my friends said she did roll her eyes at one aspect, but even with her that was a minor complaint. There's another way I find this a past due recognition. The way Gryffindor dominated the other books and all the Slytherins were depicted negatively really bugged me. One quarter of the kids are cool and another quarter evil little tyrants or their followers in the making? Ravenclaw and Hufflepuff still don't get their due but at least there are heroic Slytherins in this one and some Gryffindors who... well, let's say make some mistakes. There's one line of McGongall's I've been waiting for *someone* to say to Harry Potter for years: "The lesson even your father sometimes failed to heed is that bravery doesn’t forgive stupidity." A lot of the lines are witty, out and out funny and/or wise. There are some old favorite characters that unexpectedly show up--a highlight of the book for me. And I love, love Scorpius beyond measure. In fact, in the immediate aftermath of reading this I'd name this my favorite Harry Potter story. No doubt partly because it's been a long time--I hadn't realized how much I'd missed them all.
Reseñado por LisaMaria_C



(LibraryThing)





2.75 Harry Potter and the Cursed Child 4am review/rant: This is a difficult review, and one I may end up thinking on and possibly editing in the future. I first have to say that I went into this with an open mind. This isn't an eighth novel penned by JK Rowling. It is a collaboration, it's is meant for the stage and it is more a love letter come to life for the potter universe and its fans. Now, I could say this is almost like a piece of fan-fiction, and with that mindset I could probably enjoy it a bit more. Accept...JK's hands and blessing were on this. THAT my friends is where the problems begin. Let's start with what I liked, because there was a lot that I liked. From this point on...here be spoilers. What I am okay with: A stage production isn't meant to have the same pace as a novel. It is meant to be theatrical in nature. It's meant to sweep back and forth between acts sharply with crescendos, dives and peaks. It's often meant to have a cast of characters that represent different aspects of the human condition, and often times this means creating over the top or cartoonish characters. A play is meant to give the feel of a lot happening in a small span of time, so I can forgive some of the cartoonish bastardizations of our loved characters, the pace and timing and the showy dialogue. I also appreciate the stage directions, which lay down the workings for a wonderful theatrical experience. As far as those bastardized characters go... Ron was a bumbling fool (ugh. Okay, okay...ill let it go. It upsets me, but I'll let it go). Draco is slightly redeemed. Albus (Harry and Ginny's son) turns out to be the black sheep. And the character Scorpius saves us all with how amazing he is. Snape comes back. A universe with a Snape. Yes. All the feels. Now... I have heard some reviews where people are upset about how Harry is portrayed. Harry is a bit tough on his son and has problems showing his love for him in a more direct way. Considering Harry's past and as someone who is now 40, I can say with authority that as you get older, you will find even with the best intentions as a parent you will say the wrong sh*t and screw up in ways you promised yourself you wouldn't. This Harry is not one I find fault in. Other elements I appreciated: The magic in this play sounds like it would be amazing to see on stage, and I'm jealous that I can't. Also, the deep love and friendship between Albus and Scorpius. Loved!!! However, this "friendship" itself seemed safe. I'll get to that in a moment. My biggest problem: The premise. The entire plot. Yes. I had to say it. Rowling forgive me I had to. Time travel? Why? Time travel!?! As we know from the cannon the entire stock of Time-Turners, located in the Time Room, in the Ministry of Magic were rendered useless during the Battle of the Department of Mysteries in 1996. For these aforementioned turners, the longest period that may be relived without the possibility of serious harm to the traveller or to time itself is supposed to be around five hours. But in this story a prototype is created that goes back even farther. And a duplicate exists, one that belonged to Dracos father (mentioned and revealed conveniently towards the end of the play by Draco). You know...one that would probably have been useful back in the previous books at helping Voldemort beat Harry...one that could have aided the Malfoys...One that could have helped Draco... In the play this prototype is used by Albus and best friend (shipped) Scorpius to go back a period of about 19 years to alter time. But don't worry...only for five minutes (except Dracos. The Malfoy's turner had no such restrictions. Ahhh the convenience of this showing up last minute). The prototype time turners are used four times in the space of days. Four. Times. It has serious consequences each time, but all are remedied by simply turning that clock back and going back to make quick little fixes... Here lies my biggest peeve. They seriously alter time four times, opening several parallel universes in process, and somehow are unharmed and are completely aware of the first timeline and are shocked when entering the aftermath of each new timeline. They never change or alter with time. How?WTF? They do this over and over again. Playing hopscotch with realities and time lines. This throws away the basic rules laid out before in the previous cannon( and in pretty much all acceptable bookish theories of time travel) that use of a time turner can't seriously alter time lines. No doubt this makes good stage, but it still leaves a heck of a bad taste in my mouth.This is like trying to build a good story on the shakiest foundation humanely possible. Crap, not well thought out, not well presented, not well represented...time travel. Not to mention the original turning of time is all to bring back Cedric Digory. A character who was always established as both kind and brave, but apparently would completely give up his base instincts and character if humiliated in the slightest, resulting in him turning into a death eater. One that will kill Neville Longbottom and therefore negate the death of the snake nagini, and make Voldemort victorious. Once again, all as a result of being embarrassed at a tournament. Death eater. Really? Why? To issue in a prophecy that is apparently less stable then the actual time travel. One that has us now believing that Bellatrix somehow secretly gave birth to the Spawn of Voldemort. I just. I can't. I'm having a hard time. Also, Albus and Scorpious' relationship. What happened there? It seemed to be a build up to a beautiful relationship...and then it wasn't. Suddenly it went from there is no one I would want to spend my last moments with more than you to oh yeah, I'm completely heterosexual and just asked Rose to the dance. Suddenly the decision was made to play it safe? What was that? Now I'm wondering if JK will do what she is famous for and spin a homosexual relationship angle for these characters AFTER they are off the page (cough cough...Dumbledore). Still, being in this world was still fun. I still loved the characters, I still enjoyed the read, even the cringe worthy plot device didn't completely kill the experience for me. Still, it was not a great experience.
Reseñado por Jonez



(LibraryThing)






SD_ILS:2246795
9781338099133
9781338216660
9781338216677
Harry Potter and the cursed child : parts one and two
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